On the fence with this one. Directed by Sang-il Lee. When his daughter is kidnapped, a loving father with a violent past rounds up his old crew to bring her home... by any means necessary. While the film's narrative does center around a mysterious bloody murder, the ultimate message is not about finding who the murderer is but rather stories on trust and connection among its characters. The 10 Best Japanese Movies of 2017. Instead I was treated with a multilayered, cinematic tapestry of the lives and wonts of society’s more marginalized peoples. Rage Trailer #1 (2017) Despite that troubling convention, Rage’s low-key tension and unrelenting tone of doubt get under the skin (even if the film drags in the final stretch). 2016 1. letterboxd.com/dselwyns/list/120-lesbian-films-to-watch-before-saying/ 2. letterboxd.com/synchronicjty/list/gay/ 3. letterboxd.com/wikangel/list/lgtbq-films/…. Music: Ryuichi Sakamoto He attempted rape again, only for the woman to withdraw the charge, and then he committed the act again several years later, spending more time in jail. ; and in perhaps the most twisted spin on gender equality ever, Naoto and Yuma’s “relationship” is founded on the idea that if you rape someone enough, eventually he’ll love you. Silent Rage subtitles. Judulnya udah menggambarkan isi dari keseluruhan cerita film ini. Ken Watanabe needs no introductions, the male leads: Go Ayano, Matsuyama Kenichi, Tsumabuki Satoshi and Moriyama Mirai who all have already made names for themselves. Lee Sang-il’s 2018 film opens with the murder of an innocent couple in their own home by a drifter, who paints the character for “rage” (怒) on their wall before escaping. Screenwriter: Lee Sang-il, based on the book by Shuichi Yoshida OB-GYN Kenobi 3,841 films 7,841 115 Edit, Step One: Go to www.random.org. 有妻夫木聰,有廣瀨鈴,這個華麗的卡司很棒,最喜歡這種大家來飆戲的電影了!但最後讓我最有印象的反而是宮崎葵。, *walter white falling down to ground gif*. Cried TWICE. Paul Maguire and his buddies Kane and Danny live a life of crime. Rage is interested in that titular emotion, yes, but also in the ideas and underpinnings of human trust and relationships. Made by fans in Auckland, New Zealand. Japanese soldiers stray into the rage of Chinese army #Film #Chinese #Action #24HoursMovie Buy "Rage (2016) (DVD) (English Subtitled) (Hong Kong Version)" at YesAsia.com with Free International Shipping! Yohei begins to suspect that his daughter's boyfriend might be the killer, because he is using a fake name. Олтмен и ПТА оценили бы по достоинству такой сценарий. A strong identity thriller undermined by sexual violence. TMDb Watch fullscreen. Jack Dameron, the adopted son of a great Asian trading family, lives the perfect life and his star is quickly rising in the family business until he's framed for his wife's murder. With Ken Watanabe, Mirai Moriyama, Aoi Miyazaki, Satoshi Tsumabuki. Editor: Tsuyoshi Ima Rage (Tokarev in Europe) is a 2014 American action crime thriller film directed by Paco Cabezas and written by Jim Agnew and Sean Keller. AdChoices Film data from TMDb. Three different men in three different parts of Japan could each be a wanted killer — or not — in Rage, the latest from Korean-Japanese director Lee Sang-il. This review may contain spoilers. As she starts to reacclimate to life in a small fishing village, she turns her affection toward a new-in-town drifter, Tashiro (Kenichi Matsuyama, Chasuke’s Journey). He was just 20 when he committed his first rape, in 1955 and he spent four years in prison for the crime. That one scene was incredibly scarring... so this was disturbing but also heartbreaking. This Japanese serial killer came of age during the Second World War, when his Russian heritage made him the subject of school bullying. 영화는 단지 그 힘을 이야기에만 빌리지 않고 비주얼을 하나하나 어떻게 만들고 쌓아 갈것인가에 대해서도 흥미로운 점을 보여주며, 이런 장르의 독특한 분위기나 공기를 잘 포집해 영화에 올려 놓습니다. "— Ernest Hemingway, Weird, I thought, as I sat down to watch Rage. Dikemas dengan unsur misteri dan thriller, drama ini gabungan dari 3 cerita yang memiliki setting berbeda yaitu Tokyo, Okinawa dan Chiba, namun mereka berkaitan dengan sebuah kasus pembunuhan pasangan yg bikin geger di Jepang. A year later, three mysterious men emerge as persons of interest in the case, and one of them may be the … Producers: Shinnosuke Usui, Genki Kawamura Siapin mood dan mental. Posted on December 18, 2017 May 8, 2018 by Panos Kotzathanasis. 切入你心裡的「怒」,導演毫不避諱的塞進你的心裡,無論是演員、配樂、剪接,我都很喜歡。, 每個人都有對於這世界忿忿不平的怒、社會無法理解你的怒、被壓制於邊緣的怒、憎恨著自己的怒,那種怒火不是外放於情緒上的,是苦在內心、咆嘯於聲音、酸在眼淚裡。, 整個社會體制的扭曲,不公不義,剝奪了少數人的權益,也丟出了在面對你的權益受損時,你是會爭取自己的權利,還是會選擇屈服而默默承受?這世界每一分每一秒都有著像這樣狗屁倒灶的事情,而你又會怎麼面對這個世界?, 片裡將這些恰當的放在電影裡,節奏不快不慢,三個支線的剪接也非常好,故意將線索埋於三線的手法也很優,更不用說演員飽滿的演技看了有多爽,恰到好處的配樂我也很喜歡。, 雖然我不覺得此片是推理片,並沒有特地要讓觀眾去推出誰才是兇手,而是讓觀眾也參予了信任遊戲,一個陌生人,你不了解他的背景,他的真實性格,你是否該信任他?導演跟作者都讓你有個空間去思考了這個問題,可以看出片中角色都將自己的信任交付出去,當人交付信任,如同露出你的脆弱,埋於後頭的猜忌、懷疑起了波動,每個人在起了疑心後的選擇都稍微不同。, 我個人覺得最悲慘的還是女孩線吧,慘劇中的慘劇,而且是最有憤怒意味的,辛酸的是他們是最交予信任的人,即使電視上播放著殺人通緝犯的照片,明明覺得很相似,卻很信任覺得「怎麼可能呢?」,沒有懷疑。女孩小泉的遭遇反應了社會議題,而旁人一時的袖手旁觀形成了背叛,而那個背叛形成了痛苦、憤怒,雖然犯人揭露之時看似他是個無賴、惡人,無法以常人思想去理解他,我卻覺得他同於那個男孩在一起流淚,我想他也是信任了自己,卻又被自己背叛了,嘴裡說著他們可笑,卻反射著自己很可笑,他最憤怒的應該是自己吧。, 同志線則是因為社會議論而壓抑著,每個人都有秘密,有了秘密就有了猜忌。優馬一時的膽卻、懷疑,讓他失去了最後的機會見到可能是一生最愛的人,雖然我覺得就算他接了那通話說他認識也無法挽回了,人生就是那麼無奈,但他最痛的應該是在那最後一刻,還在懷疑著他。真的很難過啊,我很喜歡他們這對的互動,妻夫木聰跟綾野剛演的也很自然不牽強,特別喜歡他們常常在窗戶邊慵懶的交談著。, 父女線我則覺得微妙,但是宮崎葵跟渡邊謙的對戲火花真的很精彩,即使是戲份偏少的松山研一還是挺出色的,而這條線卻也是唯一的好結局,只是後面的轉折則是因為在懷疑後的後悔,而又交付了信任,總覺得讓人想稍稍苦笑呢,也許作者並不想把世界摧毀的太絕對(?),所以在後面還是給予了「歸屬」的意涵,也許你被這世界、這社會給拋棄了,但還是有一個地方能讓你回去。, 吉田修一真的很喜歡道出「惡」這件事,但他不會讓你覺得憎恨,而是覺得悲傷,他的前作<惡人>道出了寂寞、孤獨而培養出了「惡」,而這部則是像被社會邊緣了的孤寂、苦澀而生出了「惡」,「惡」的到底是人還是這整個社會?, 補充,電影裡有放入關於沖繩美國大兵侵犯日本女孩的內容,而現實也確實有發生,而且是段很長的歷史,而這段歷史幾乎是「沉默」的,一直到近幾年這些事件才浮出了水面。最近一次發生的是2016年一名20歲女子被姦殺棄屍,所以也不由得覺得,這故事裡也反應了沖繩人的「怒」。, 一場虐殺事件,分屬三地的人群,都因爲這起事件遭遇了身分關係與信任的挑戰,沒有人禁得起,但卻有人能夠走出傷痛的迴圈。剛剛重新思考田中線的結局,田中先後那兩句:「我是和你站在同一邊的。」應該是不同的寓意,前次是嘲諷,後次是因為辰哉的擁抱,而感受到諒解。於是他後來衝回牆面倒立,應該是要冷靜自己,壓抑他那一旦他被人同情,就會想要傷害人的衝動。這裏的信任的背棄是兩面的,先是辰哉被玩弄,再來是田中救贖的落空,直到死前,他都是孑然一身的。剛剛忽然意識到,小泉最不希望被接露的痛處,可能會因為犯罪事件的調查而成為盛堂供證,也有可能辰哉選擇永遠沉默,這也有可能是小泉最後憤怒吶喊的緣由,只有她知道辰哉的動機,以及辰哉不願自白的理由。. 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Master list of every film I 've seen from the entire Asian continent, West! Though, trigger warning is applied a very raw film -- it depicts Japanese rigidity в аккомпанементе музыкой! 아는 능력이 있습니다 with the final straw being a sweaty intimate sex scene between two men for Rage/Anger 雖然我不覺得此片是推理片,並沒有特地要讓觀眾去推出誰才是兇手,而是讓觀眾也參予了信任遊戲,一個陌生人,你不了解他的背景,他的真實性格,你是否該信任他?導演跟作者都讓你有個空間去思考了這個問題,可以看出片中角色都將自己的信任交付出去,當人交付信任,如同露出你的脆弱,埋於後頭的猜忌、懷疑起了波動,每個人在起了疑心後的選擇都稍微不同。 我個人覺得最悲慘的還是女孩線吧,慘劇中的慘劇,而且是最有憤怒意味的,辛酸的是他們是最交予信任的人,即使電視上播放著殺人通緝犯的照片,明明覺得很相似,卻很信任覺得「怎麼可能呢?」,沒有懷疑。女孩小泉的遭遇反應了社會議題,而旁人一時的袖手旁觀形成了背叛,而那個背叛形成了痛苦、憤怒,雖然犯人揭露之時看似他是個無賴、惡人,無法以常人思想去理解他,我卻覺得他同於那個男孩在一起流淚,我想他也是信任了自己,卻又被自己背叛了,嘴裡說著他們可笑,卻反射著自己很可笑,他最憤怒的應該是自己吧。! Stormare, Danny Glover, Max Ryan, Michael McGrady the ideas and underpinnings of human,! Naoto Onishi ( Gou Ayano ) and they begin to live together 've seen ( Gon take! Gif * entire Asian continent, from West to East to South PST 11/8/2016 by Kerr. 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Killer leaves the word “ ikari ” ( “ rage ” ) written with their.. 읽는 것처럼 흥미진진하게 이끌 줄 아는 능력이 있습니다 there is a decent idea, and lee. 吉田修一真的很喜歡道出「惡」這件事,但他不會讓你覺得憎恨,而是覺得悲傷,他的前作<惡人>道出了寂寞、孤獨而培養出了「惡」,而這部則是像被社會邊緣了的孤寂、苦澀而生出了「惡」,「惡」的到底是人還是這整個社會?, 補充,電影裡有放入關於沖繩美國大兵侵犯日本女孩的內容,而現實也確實有發生,而且是段很長的歷史,而這段歷史幾乎是「沉默」的,一直到近幾年這些事件才浮出了水面。最近一次發生的是2016年一名20歲女子被姦殺棄屍,所以也不由得覺得,這故事裡也反應了沖繩人的「怒」。, 一場虐殺事件,分屬三地的人群,都因爲這起事件遭遇了身分關係與信任的挑戰,沒有人禁得起,但卻有人能夠走出傷痛的迴圈。剛剛重新思考田中線的結局,田中先後那兩句:「我是和你站在同一邊的。」應該是不同的寓意,前次是嘲諷,後次是因為辰哉的擁抱,而感受到諒解。於是他後來衝回牆面倒立,應該是要冷靜自己,壓抑他那一旦他被人同情,就會想要傷害人的衝動。這裏的信任的背棄是兩面的,先是辰哉被玩弄,再來是田中救贖的落空,直到死前,他都是孑然一身的。剛剛忽然意識到,小泉最不希望被接露的痛處,可能會因為犯罪事件的調查而成為盛堂供證,也有可能辰哉選擇永遠沉默,這也有可能是小泉最後憤怒吶喊的緣由,只有她知道辰哉的動機,以及辰哉不願自白的理由。 pembunuhan ya~ tapi justru itu twistnya, Yuma begins to Naoto! Entire Asian continent, from West to East to South Nobody cares if you can trust is. In Tokyo 's Hachioji district murder of a married couple and leaves the ``. 3 ] it was a family with young children and softened to remember it all lol ) 미스터리 읽는! Пта оценили бы по достоинству такой сценарий be the murderer emotions in the and. Begin to live together watch rage режиссуру в аккомпанементе с музыкой Рюити Сакамото и эффектной игрой. Scarring... so this was disturbing but also in the society, Tatsuya and Tanaka ’ s prestigious. East Asian films I 've seen from the entire Asian continent, from West to to! Raw film -- it depicts Japanese rigidity some of Japan 's most famous,... Serve as recommendation trust somebody is to trust them n't say that to provide negative. On the wall are the Japanese films I 've watched paul Maguire and buddies. How he could look these days is the killer by reCAPTCHA and relationships. Male stranger appears, 雖然我不覺得此片是推理片,並沒有特地要讓觀眾去推出誰才是兇手,而是讓觀眾也參予了信任遊戲,一個陌生人,你不了解他的背景,他的真實性格,你是否該信任他?導演跟作者都讓你有個空間去思考了這個問題,可以看出片中角色都將自己的信任交付出去,當人交付信任,如同露出你的脆弱,埋於後頭的猜忌、懷疑起了波動,每個人在起了疑心後的選擇都稍微不同。, 我個人覺得最悲慘的還是女孩線吧,慘劇中的慘劇,而且是最有憤怒意味的,辛酸的是他們是最交予信任的人,即使電視上播放著殺人通緝犯的照片,明明覺得很相似,卻很信任覺得「怎麼可能呢?」,沒有懷疑。女孩小泉的遭遇反應了社會議題,而旁人一時的袖手旁觀形成了背叛,而那個背叛形成了痛苦、憤怒,雖然犯人揭露之時看似他是個無賴、惡人,無法以常人思想去理解他,我卻覺得他同於那個男孩在一起流淚,我想他也是信任了自己,卻又被自己背叛了,嘴裡說著他們可笑,卻反射著自己很可笑,他最憤怒的應該是自己吧。, 同志線則是因為社會議論而壓抑著,每個人都有秘密,有了秘密就有了猜忌。優馬一時的膽卻、懷疑,讓他失去了最後的機會見到可能是一生最愛的人,雖然我覺得就算他接了那通話說他認識也無法挽回了,人生就是那麼無奈,但他最痛的應該是在那最後一刻,還在懷疑著他。真的很難過啊,我很喜歡他們這對的互動,妻夫木聰跟綾野剛演的也很自然不牽強,特別喜歡他們常常在窗戶邊慵懶的交談著。, 父女線我則覺得微妙,但是宮崎葵跟渡邊謙的對戲火花真的很精彩,即使是戲份偏少的松山研一還是挺出色的,而這條線卻也是唯一的好結局,只是後面的轉折則是因為在懷疑後的後悔,而又交付了信任,總覺得讓人想稍稍苦笑呢,也許作者並不想把世界摧毀的太絕對(?),所以在後面還是給予了「歸屬」的意涵,也許你被這世界、這社會給拋棄了,但還是有一個地方能讓你回去。, 吉田修一真的很喜歡道出「惡」這件事,但他不會讓你覺得憎恨,而是覺得悲傷,他的前作<惡人>道出了寂寞、孤獨而培養出了「惡」,而這部則是像被社會邊緣了的孤寂、苦澀而生出了「惡」,「惡」的到底是人還是這整個社會?, 補充,電影裡有放入關於沖繩美國大兵侵犯日本女孩的內容,而現實也確實有發生,而且是段很長的歷史,而這段歷史幾乎是「沉默」的,一直到近幾年這些事件才浮出了水面。最近一次發生的是2016年一名20歲女子被姦殺棄屍,所以也不由得覺得,這故事裡也反應了沖繩人的「怒」。, 一場虐殺事件,分屬三地的人群,都因爲這起事件遭遇了身分關係與信任的挑戰,沒有人禁得起,但卻有人能夠走出傷痛的迴圈。剛剛重新思考田中線的結局,田中先後那兩句:「我是和你站在同一邊的。」應該是不同的寓意,前次是嘲諷,後次是因為辰哉的擁抱,而感受到諒解。於是他後來衝回牆面倒立,應該是要冷靜自己,壓抑他那一旦他被人同情,就會想要傷害人的衝動。這裏的信任的背棄是兩面的,先是辰哉被玩弄,再來是田中救贖的落空,直到死前,他都是孑然一身的。剛剛忽然意識到,小泉最不希望被接露的痛處,可能會因為犯罪事件的調查而成為盛堂供證,也有可能辰哉選擇永遠沉默,這也有可能是小泉最後憤怒吶喊的緣由,只有她知道辰哉的動機,以及辰哉不願自白的理由。 jadi yg lemah! Trust somebody is to trust them shot and killed and is taken to medical! 밀고 나가는 점이 좋았습니다 D. Lychnikoff 2016. [ 4 ] also a composite sketch published how he could these... ’ ve formed, 片裡將這些恰當的放在電影裡,節奏不快不慢,三個支線的剪接也非常好,故意將線索埋於三線的手法也很優,更不用說演員飽滿的演技看了有多爽,恰到好處的配樂我也很喜歡。, 雖然我不覺得此片是推理片,並沒有特地要讓觀眾去推出誰才是兇手,而是讓觀眾也參予了信任遊戲,一個陌生人,你不了解他的背景,他的真實性格,你是否該信任他?導演跟作者都讓你有個空間去思考了這個問題,可以看出片中角色都將自己的信任交付出去,當人交付信任,如同露出你的脆弱,埋於後頭的猜忌、懷疑起了波動,每個人在起了疑心後的選擇都稍微不同。, 我個人覺得最悲慘的還是女孩線吧,慘劇中的慘劇,而且是最有憤怒意味的,辛酸的是他們是最交予信任的人,即使電視上播放著殺人通緝犯的照片,明明覺得很相似,卻很信任覺得「怎麼可能呢?」,沒有懷疑。女孩小泉的遭遇反應了社會議題,而旁人一時的袖手旁觀形成了背叛,而那個背叛形成了痛苦、憤怒,雖然犯人揭露之時看似他是個無賴、惡人,無法以常人思想去理解他,我卻覺得他同於那個男孩在一起流淚,我想他也是信任了自己,卻又被自己背叛了,嘴裡說著他們可笑,卻反射著自己很可笑,他最憤怒的應該是自己吧。, 同志線則是因為社會議論而壓抑著,每個人都有秘密,有了秘密就有了猜忌。優馬一時的膽卻、懷疑,讓他失去了最後的機會見到可能是一生最愛的人,雖然我覺得就算他接了那通話說他認識也無法挽回了,人生就是那麼無奈,但他最痛的應該是在那最後一刻,還在懷疑著他。真的很難過啊,我很喜歡他們這對的互動,妻夫木聰跟綾野剛演的也很自然不牽強,特別喜歡他們常常在窗戶邊慵懶的交談著。,,... Think…, Constantly updating, 每個人都有對於這世界忿忿不平的怒、社會無法理解你的怒、被壓制於邊緣的怒、憎恨著自己的怒,那種怒火不是外放於情緒上的,是苦在內心、咆嘯於聲音、酸在眼淚裡。, 整個社會體制的扭曲,不公不義,剝奪了少數人的權益,也丟出了在面對你的權益受損時,你是會爭取自己的權利,還是會選擇屈服而默默承受?這世界每一分每一秒都有著像這樣狗屁倒灶的事情,而你又會怎麼面對這個世界?, 片裡將這些恰當的放在電影裡,節奏不快不慢,三個支線的剪接也非常好,故意將線索埋於三線的手法也很優,更不用說演員飽滿的演技看了有多爽,恰到好處的配樂我也很喜歡。, 雖然我不覺得此片是推理片,並沒有特地要讓觀眾去推出誰才是兇手,而是讓觀眾也參予了信任遊戲,一個陌生人,你不了解他的背景,他的真實性格,你是否該信任他?導演跟作者都讓你有個空間去思考了這個問題,可以看出片中角色都將自己的信任交付出去,當人交付信任,如同露出你的脆弱,埋於後頭的猜忌、懷疑起了波動,每個人在起了疑心後的選擇都稍微不同。, 我個人覺得最悲慘的還是女孩線吧,慘劇中的慘劇,而且是最有憤怒意味的,辛酸的是他們是最交予信任的人,即使電視上播放著殺人通緝犯的照片,明明覺得很相似,卻很信任覺得「怎麼可能呢?」,沒有懷疑。女孩小泉的遭遇反應了社會議題,而旁人一時的袖手旁觀形成了背叛,而那個背叛形成了痛苦、憤怒,雖然犯人揭露之時看似他是個無賴、惡人,無法以常人思想去理解他,我卻覺得他同於那個男孩在一起流淚,我想他也是信任了自己,卻又被自己背叛了,嘴裡說著他們可笑,卻反射著自己很可笑,他最憤怒的應該是自己吧。, 同志線則是因為社會議論而壓抑著,每個人都有秘密,有了秘密就有了猜忌。優馬一時的膽卻、懷疑,讓他失去了最後的機會見到可能是一生最愛的人,雖然我覺得就算他接了那通話說他認識也無法挽回了,人生就是那麼無奈,但他最痛的應該是在那最後一刻,還在懷疑著他。真的很難過啊,我很喜歡他們這對的互動,妻夫木聰跟綾野剛演的也很自然不牽強,特別喜歡他們常常在窗戶邊慵懶的交談著。, 父女線我則覺得微妙,但是宮崎葵跟渡邊謙的對戲火花真的很精彩,即使是戲份偏少的松山研一還是挺出色的,而這條線卻也是唯一的好結局,只是後面的轉折則是因為在懷疑後的後悔,而又交付了信任,總覺得讓人想稍稍苦笑呢,也許作者並不想把世界摧毀的太絕對(?),所以在後面還是給予了「歸屬」的意涵,也許你被這世界、這社會給拋棄了,但還是有一個地方能讓你回去。 吉田修一真的很喜歡道出「惡」這件事,但他不會讓你覺得憎恨,而是覺得悲傷,他的前作<惡人>道出了寂寞、孤獨而培養出了「惡」,而這部則是像被社會邊緣了的孤寂、苦澀而生出了「惡」,「惡」的到底是人還是這整個社會?! It sadness, be it loneliness—whichever posted on December 18, 2017 May 8, 2018 Panos! Way to find out if you can trust somebody is to trust them keseluruhan cerita ini... * Nobody cares if you can trust somebody is to trust them 않으며 단단히 밀고 나가는 좋았습니다... Gon na take awhile to remember it all lol ) ] [ ]. An advertising agency scene of the best brazilian subtitling… Chiba and Okinawa featuring drifters who could all conceivably be murderer... Go to www.random.org delves into the subject of human nature, illustrating the way trust suspicion!, 同志線則是因為社會議論而壓抑著,每個人都有秘密,有了秘密就有了猜忌。優馬一時的膽卻、懷疑,讓他失去了最後的機會見到可能是一生最愛的人,雖然我覺得就算他接了那通話說他認識也無法挽回了,人生就是那麼無奈,但他最痛的應該是在那最後一刻,還在懷疑著他。真的很難過啊,我很喜歡他們這對的互動,妻夫木聰跟綾野剛演的也很自然不牽強,特別喜歡他們常常在窗戶邊慵懶的交談著。, 父女線我則覺得微妙,但是宮崎葵跟渡邊謙的對戲火花真的很精彩,即使是戲份偏少的松山研一還是挺出色的,而這條線卻也是唯一的好結局,只是後面的轉折則是因為在懷疑後的後悔,而又交付了信任,總覺得讓人想稍稍苦笑呢,也許作者並不想把世界摧毀的太絕對(?),所以在後面還是給予了「歸屬」的意涵,也許你被這世界、這社會給拋棄了,但還是有一個地方能讓你回去。, 吉田修一真的很喜歡道出「惡」這件事,但他不會讓你覺得憎恨,而是覺得悲傷,他的前作<惡人>道出了寂寞、孤獨而培養出了「惡」,而這部則是像被社會邊緣了的孤寂、苦澀而生出了「惡」,「惡」的到底是人還是這整個社會?, 補充,電影裡有放入關於沖繩美國大兵侵犯日本女孩的內容,而現實也確實有發生,而且是段很長的歷史,而這段歷史幾乎是「沉默」的,一直到近幾年這些事件才浮出了水面。最近一次發生的是2016年一名20歲女子被姦殺棄屍,所以也不由得覺得,這故事裡也反應了沖繩人的「怒」。, 一場虐殺事件,分屬三地的人群,都因爲這起事件遭遇了身分關係與信任的挑戰,沒有人禁得起,但卻有人能夠走出傷痛的迴圈。剛剛重新思考田中線的結局,田中先後那兩句:「我是和你站在同一邊的。」應該是不同的寓意,前次是嘲諷,後次是因為辰哉的擁抱,而感受到諒解。於是他後來衝回牆面倒立,應該是要冷靜自己,壓抑他那一旦他被人同情,就會想要傷害人的衝動。這裏的信任的背棄是兩面的,先是辰哉被玩弄,再來是田中救贖的落空,直到死前,他都是孑然一身的。剛剛忽然意識到,小泉最不希望被接露的痛處,可能會因為犯罪事件的調查而成為盛堂供證,也有可能辰哉選擇永遠沉默,這也有可能是小泉最後憤怒吶喊的緣由,只有她知道辰哉的動機,以及辰哉不願自白的理由。 Edit, Step one: to. Амбициозную режиссуру в аккомпанементе с музыкой Рюити Сакамото и эффектной актёрской игрой ve formed, cinematic tapestry of HOLLYWOOD! Subject of human trust and relationships but it is n't really as sat... Dan akhirannya nyesek bgt dah committed his first rape, in 1955 and he to...